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Arts Award 2010

CONDITIONS OF PARTICIPANTS

young women artists and artists from all over Europe are invited to participate in the competition. It is an age limit up to and including 32 years.

PRICE AND PRODUCTION
The art prize exhibition site is the site for all kinds of Fine Art - announced - also interdisziplinäre projects. There are three positions selected by a jury. The prize money amounts for the most outstanding work € 1000. Following the competition are three-month individual exhibitions of the works of artists lected. All exhibited works will be documented in a publication (Catalogue) and summarized.


APPLICATION The application is for the competition to 15 December 2009 via mail (postmarked). Completely belong to an informal application letter, a brief concept plan about the exhibition, a resume and a clear description of the gene bisheri work (max. 10 images). The format of submissions should
überschreiten not A4. A jerk-shipment is not possible, so please send any originals of the works. Submissions by e-mail or electronic Datenträgern are not taken into account!
detailed information about the project can be found at WWW.BAUSTELLE-SCHAUSTELLE.DE.

JURY
The jury selects from the submitted work the Preisträger and two other locations for the exhibitions.
The jury meeting takes place in late January 2010.

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Exhibition: Paul Graham - Deichtorhallen

PHOTOGRAPHS

24th September 2010 - 9th January 2011

The house of photography shows in the Deichtorhallen in cooperation with the Museum Folkwang, the first retrospective of the British photographer Paul Graham (born 1956). The exhibition presents over 145 images from 11 large, complex work, written in 1981, a representative selection of his work.

Graham is in the tradition of social documentary photography, which in England after the 2nd World War II was marked by Bill Brandt and pursued by photographers such as Chris Killip and John Davis. In dealing with them and with the American photography of the 60s and 70s, Graham developed an innovative, artistic work whose uncompromising gaze on the social reality.

Paul Graham lives in New York. His last series, American Night and A Shimmer of Possibilities have been created in the United States. The confrontation with the American black and white photographer Gary Winogrand, Lee Friedlander and Diane Arbus, who defined their work as individual opinions on social developments, but also with the color photography by Stephen Shore and William Eggleston, whose concerns are focused on everyday situations and objects, Graham has influenced imagery.

to a time when the art of staged photography is increasingly manipulated, or produced in the studio is, or the world is kept at a cool, conceptualized way to distance itself apart from Graham's work as a continuous observation and questioning the reality of life.

Graham's first publication A1 - The Great North Road, appeared in 1981, a documentary that was created along the English north-south trunk road. Graham is already here borrows from traditional genres of photographic practice and realigns them. In the series, Troubled Land, dealing with the situation in Northern Ireland, continue, combined in 1987 landscape photography and war photography. The year before, the colored Reportage Beyond Caring was created to take stock of their employment services and English desolate sadness. In the series American Night (1998-2002) or End of an Age (1996-1998), he pushes the boundaries of what is commonly accepted as a picture or portrait.

The development of his photographic work is closely linked to issues of presentation, which he developed for individual projects from large-sized panel to small-scale sequences.

Paul Graham has a strong tradition of the British, social documentary Photograph taken in his work, in order to enrich and develop diverse. His works enliven the critical photographic discourse and provide the documentary photography with their "statements" in question. The printed image and the book plays a special role. During the early projects were summarized in a classic sequence in panel always the same image size, Graham developed for the recent work very individual book forms the highlight of different formats, materials and book the special sequences of working.

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Fight Night Köpenick

Aristo and Edwin were yesterday to see the Old Funkwerk Köpenick, in the ring. It was a gala nine fights with box and kick boxing fights.

Ahmado, Edwin and Edwin Ali Khan
fought first to K1 rules against his more experienced opponent from 20 fights Koryo Gym. The first round started strong and Edwin drove his opponent again in the ring ropes. In the next two rounds, he managed to land unfortunately ambiguous results. He had good ideas and was superior in the clinch, but met with no knees. His opponent, however, could make some low kicks and was faster in the center of the ring his distance.
the end it was a draw. Edwin, powerful performance!
Hoffi and
Aristo Aristo was the second major battle of the evening. He was allowed into the meeting after Muay Thai rules and kept a very good overview. In the first two rounds, he could make a few hits caught, but then in the clinch where no one was able to score the two. In the third round Aristo became increasingly aggressive. He was printing with hard hands. When his opponent was looking from a distance with both hands the Clinch Aristo hit a hard left hook to the chin that ended the fight immediately.
Aristo won by KO in the 3rd Round.

Congratulations to the organizers, all the fighters and trainers.

made some Budokanler the far away to see to Köpenick to the fighting. Thank you for your support!!

Boxwerk Köpenick

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Urs Fischer at the cinema



preview with director: Sunday 26. September 12.00 clock in the Riff Raff

Urs Fischer is a whiz. The 36-year-old Swiss artist who resides in New York celebrates with his drawings, sculptures and installations for years international success. Fischer receives prestigious international exhibition opportunities and has significant production budget, allowing him for instance to produce towering sculptures. The film shows him as an artist who draws his creativity from a field of intense contrasts and contradictions. Fischer oscillates between joy and Schaffenswut, art traditions and pop culture, spontaneity, and high-tech back and forth. In his two- and three-dimensional works, he continues to find the synthesis between these seeming opposites. In the center of the film stands as the climax of his career the preparation to the opening of his first solo exhibition in a museum in the U.S., the New Museum in New York City in October 2009. Visually interwoven like a net, the film shows the main productions and exhibitions of the last six years, with compelling images of locations such as Venice, London, Sydney, Zurich and Shanghai. Viewers are immersed in the complex creative process behind an exhibition. They see the pressure under which an international artist and works out what it specifically focuses ie, as an artist to be part of an art market, are in the millions of dollars at stake.

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Artist talk - Stefan Burger




STEFAN BURGER - In the circumstances

on Sunday 26 September 2010, 11:30 clock

Photo Museum Winterthur (Hall)

Stefan Burger has created for his exhibition in the circumstances (11.9.-14.11.2010), several new site-specific works in the Photo Museum Winterthur. In an interview with Thomas Seelig, he will present these and take the visitors on the journey through his fitted with installations and photographic works exhibition

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book: Wanted SFMOMA



Coming up Air is the result of Stephen Gill`s long-term photographic body of work made in Japan between 2008 & 2009. These images create a chance to sink into a kind of fictional aquatic world that somehow leaves you gasping for breath.

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: - - Exposed: Photographer




EXPOSED – Voyeurism, Surveillance, and the Camera since 1870

30. Oktober – 17. April 2011

Exposed offers a fascinating look at pictures made on the sly, without the explicit permission of the people depicted. With photographs from the late nineteenth century to present day, the pictures present a shocking, illuminating and witty perspective on iconic and taboo subjects.
Beginning with the idea of the 'unseen photographer', Exposed presents 250 works by celebrated artists and photographers including Brassaï's erotic Secret Paris of the 1930s images; Weegee's iconic photograph of Marilyn Monroe; and Nick Ut's reportage image of children escaping napalm attacks in the Vietnam War. Sex and celebrity is an important part of the exhibition, presenting photographs of Liz Taylor and Richard Burton, Paris Hilton on her way to prison and the assassination of JFK.
The catalogue EXPOSED is copublished in the United States by Yale University Press and internationally by Tate Publishing.

Artists: Alexander Gardner, Felice Beato, Lee Friedlander, Philip Lorca DiCorcia, Walker Evans, Robert Frank, Nan Goldin, Helmut Newto, Man Ray, Harry Callahan, Gary Winogrand, Richard Avedon, Henri Cartier-Bresson, Alison Jackson, Miroslav Tichy, Merry Alpern, Yoshiyuki Kohei, Lucinda Devlin, Larry Clark, Enrique Metinides, John Gossage, Sophie Ristelhueber, Jules Spinatsch, Peter Piller, Thomas Ruff, Vito Acconci, Sophie Calle, Thomas Demand, Trevor Paglan, Harun Faroki.

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FotoGrafia Festival Internazionale di Roma IX Edizione

ich bin schauspielstudentin und möchte bald meine eigene homepage gestalten.

fotos: studiofotos (nur kurz) und fotos auf einem bett mit decke (warmes licht) beides kann ich NICHT zur verfügung stellen.
honorar: für ca. 3 stunden CHF 120.-

fotos werden auf meiner homepage verwendet mit angabe von name des fotografs (können vom fotograf verwendet werden wie gewünscht)

meine Email: sandrazellweger@hotmail.com

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24 september - 24 october 2010

This year’s International Photography Festival ("FotoGrafia") in Rome features important innovations: a new venue (the Testaccio branch of MACRO, Rome’s Museum of Contemporary Art), a new time of the year (September 23 to October 24), and a team of three curators working with Marco Delogu, the Festival’s artistic director: Marc Prust (for the photography and publishing section), Valentina Tanni (photography and new media) and Paul Wombell (photography and contemporary art).

The event is sponsored by the City of Rome’s Department of Cultural Policies and Communication – Cultural Heritage Superintendency with the support of Fondazione Roma and, starting this year, is produced by Zètema Progetto Cultura.

The theme of the ninth FotoGrafia Festival is Futurspectives, in other words, “Can photography interpret the future?”

This paradox is immediately evident in the work that Paul Wombell has done for “Bumpy Ride,” the show he’s curated for the Festival’s Photography and Contemporary Art section. We usually speak of photography in the past tense. Once a picture has been taken, it transports us backward in time, and in a way it becomes history. But some photographers are questioning this premise, creating images that look forward, not backward. These photographers work more like science-fiction writers, using the photographic process to imagine how the future might appear. “Bumpy Ride” brings together the works of contemporary photographers like Peter Bialobrzeski, Sonja Brass, Cedric Delsaux, Jill Greenberg, Ikka Halso, Mirko Martin and O Zhang, who use both digital and analog technology and are challenging our expectations about what we see in an image.

Another attempt to answer and interpret the same question is provided by Valentina Tanni’s research for the Photography and New Media section Photography and the new media meet in an eternal present; they’ve already met but are continuing to do so. That’s why the section of the Festival dedicated to this theme is making its debut with a show called “Maps and Legends,” a project whose goal is to map a territory that’s constantly evolving. A cartography in progress on the relations that photographic practice is establishing with the world of the Web: its culture, its language and its imagery. Alongside the maps are the legends – the set of signs – that the viewer needs to decipher them. And, most important, legends in the sense of myths and tales: everything that makes the Web a real place, endowed with history and culture. From animated gifs to photos shot in virtual worlds; from the images of Google Street Views to snapshots that change in real time, with the data flows, and on to the camera that captures time instead of space. Ten photographers – Marco Cadioli (Italy), Martijn Hendriks (Holland), Justin Kemp (U.S.A.), Jaime Martinez (Mexico), Filippo Minelli (Italy), Sascha Pohflepp (Germany), Jon Rafman (Canada), Phillip Toledano (U.S.A.), Harm Van den Dorpel (Holland) and Carlo Zanni (Italy) – for a show that tries to see into the future (or perhaps we should say into the continuous present) of photography.

Last but not least, the section on Photography and Publishing, curated by Marc Prust. As its title “Unpublished – Unknown” suggests, this show presents a selection of unpublished works. The question that underlies the curator’s investigation was: can one say that a photo exists if no one but the photographer has ever seen it? Can one speak of a second “decisive moment” after Henri Cartier Bresson’s, the moment when the photo is published? Rather than a show of unpublished works, this is a show of uncompleted works, because they still have to cross the hurdle of this second decisive moment: publication.

Rescheduled to open in September, the Festival becomes the first event in the international season. It will also host the debut of the European Photography Month’s new production, “Mutations 3 – Public Image, Private Views,” curated by Emiliano Paoletti. Among other things, this production will present Rob Hornstra and Arnold Van Bruggen’s Sochi Project, a slowjournalism undertaking financed via the Web to document changes in the Russian region slated to host the Winter Olympics in 2014.

The Rome Commission, now in its eighth year, has been entrusted to Tod Papageorge, the great American photographer and originator of the Yale School, whose members include Gregory Crewdson and Philip Lorca di Corcia.

Starting this year, the Festival will benefit from the collaboration of MACRO, which confirms its mission as a multi-site image museum serving the Italian and international public. This squares with the choice to host the Festival at MACRO’s two pavilions at Testaccio, the branch devoted to large-scale events.

Besides the many changes, some important aspects of the Festival have been confirmed for this year too. A group of galleries will promote local artists and operators. The most important international academies and cultural institutes operating in Rome, including the American Academy, the French Academy at Villa Medici and the Royal English Academy, will present projects created specifically for the Festival.
IILA FotoGrafia Prize for young South American photography will be awarded again this year, and “The Empire of the Sun,” a work on Rome by José Manuel Castrellón, who won the prize last year, will be presented. In addition, the Festival will host Giuliano Matteucci’s show “Ecclesia,” winner of the Baume & Mercier Prize.


MACRO Testaccio
Piazza Orazio Giustiniani 4 – 00153 Rome
Open 4 p.m. to midnight every day except Mondays
info: www.macro.roma.museum tel.: +39 06 671070400

Starchoice Remote Programing

Terere seminar

Over the weekend of 17 until September 19, 8:00 Budokanler went to Fernando Terere seminar in Poznan, Poland.
The seminar was organized by Alliance Poland under Sebastian Slowek. There were athletes from various teams such as Gracie Barra, Berserker, etc. to the respective dreistündingen training sessions on both days.
Terere showed various combinations of his game to the multiple world champion in international competitions successfully penetrated.

Poland Alliance Website: http://alliancebjj.pl/

Terere vs. Marcelo Garcia: http://www.youtube.com/watch?v=qseZODdoNhw&feature=related

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exhibition Mousse out now!



_Bart Van Der Heide talks with Tobias Madison about his method that combines artistic capital with business acumen to identify unexpected complexities of contemporary art production.

_Starting with the Conceptual, a kind of artistic intention has taken form that operates starting with reflections on the contractual, economic and social relationships that regulate the mediation of art. Daniel McClean explores this "legal movement" of artistic production.

_Claire Fontaine has selected texts on the idea of autonomy for REPRINT.

_Forest LOST & FOUND Elena Volpato has recovered a fundamental work of The Art Workers' Coalition.

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Exhibition: Ruth Erdt - The Liar - Fotostiftung Winterthur




Ruth Erdt - The liar
second October 2010 to 13th February 2011
opening of the exhibition on 1 October, 18 to 21 clock, you are welcome to attend. At 19.00
introduces Sylvie Henguely in the exhibition.

worked for 25 years, Ruth Erdt (VFO / MFA ZHdK) on a photographic project that is with her biography and the people of their immediate surroundings closely. It is she not a realistic image of their own world. Instead, she finds in the private and intimate the material for fictional stories about people who are mysteriously connected to each other - characters who reinvent themselves again and again, a new layout in order to free themselves from the shackles of reality: "I like liars. People who manipulate their daily lives with little white lies and pretend a different situation. I do not mean manipulation, which causes people to harm. But the small shifts of the realities that fast Geschichten und Erfindungen, damit man den Anforderungen von aussen gewachsen ist.“ Ruth Erdts Fotografien zeigen zärtliche und schmerzliche Begegnungen, stille und heftige Momente, Glück und Melancholie – eine intensive Chronik der Gefühle.
Mit Unterstützung des Vereins Freunde der Fotostiftung Schweiz


Künstlergespräch mit Ruth Erdt und Hugues de Wurstemberger in der Ausstellung, Sonntag 3. Oktober, 11.30 Uhr

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Exhibition: Tom Madison, Do It To Do It - Kunstverein Munich




Eröffnung am 24. September 2010 um 19 Uhr
25. September – 21. November 2010
Kunstverein München

Öffnungszeiten:
Di – So: 10 – 18 clock

On Friday, 24 September 2010 opened the Kunstverein Munich Europe with Do It To Do It by 19 clock of the first comprehensive solo exhibition of emerging Swiss artist Tobias Madison (born in 1985 in Basel). The opening is accompanied by a music event with a difference: It offers us the taiko group Waraku - Kai SHOU, which will set this evening in a wild and exotic light.

Kunstverein München is pleased to present you Do It To Do It by Tobias Madison. The exhibition offers insights into the beginnings of the fledgling work of Swiss artist and provides a selection of works that are in form and content as so fragmentary prove that the impression of a group show. It is no accident: Madison often works alone, but acts in many cases as an inspiring force within an artistic collaboration that takes place on an intellectual and a substantive level, and a sophisticated system designs, which deals with economic independence and access to market events. This Tobias Madison is representative of his generation, whose artistic ingenuity in the light of the many production possibilities that artists are now available, no limits are set more.

The exhibition Do It To Do It shows the results of four such collaborations - mainly "Works in Progress". One of the groups of works shown, for example, revolves around Madison's continued employment with the heir to the Italian product designer Ettore Sottsass (1917 - 2007). It was created in collaboration with the artist and collector Ruedi Bechtler (born 1942 in Zurich), which has some original works by the Italian designer. In addition, an extensive installation of bamboo and Japanese climbing ropes is shown, which will be specially made for the Kunstverein München in collaboration with fellow artist Kaspar Müller.

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Exhibition: Tris Vonna-Michell - Jeu de Paume

Tris Vonna-Michell:
"Finding Chopin: Endnotes 2005–2009"

Satellite programm 3 /
Curator: Elena Filipovic

du 20 octobre 2009 au 17 janvier 2010

TRIS VONNA-MICHELL is a consummate storyteller. He elaborately constructs tales that he speaks aloud to listeners, in his typical face-paced speaking style, or leaves behind him in the form of clues or traces that narrate wild and incomprehensible connections between disparate things. Whatever the explicit subjects to which his voice turns (a crumbling post-industrial Detroit, an outdated 1980s film, a defunct music scene, German railways, a man named Otto Hahn, buildings ruined by aerial bombings), his actual subject is—perhaps always and inescapably—history (with and without a capital H). And the ways history (of necessity and by definition) takes convoluted roads to get where it has gone, a bit like the artist-orator.

For his project at the Jeu de Paume, the artist’s first solo exhibition in Paris, Vonna-Michell will extend his ongoing research on Chopin (a relatively obscure but important figure in the French post-war avant-garde, father of the typewriter poem who died in 2008), after several months researching in Paris to find the surviving acquaintances and colleagues of the deceased poet and search for any remaining photographs, film, publications and other material attesting to Chopin’s prolific but largely unknown output. The resulting installation, sound and film piece will (as with most all of Vonna Michell’s projects) combine fact and fiction, the carefully planned and the merely coincidence, the concrete and the imagined, History (with the capital H) and interpretation (with an intimately personal touch) in what will be a search for origins of sorts—of the post-war avant-garde, but also of the artist himself. The exhibition’s accompanying publication will be a true artists’ book, including a narrative written by Vonna Michell about his practice and search for Chopin. The artist's own notebooks in Which He has recorded the idiosyncratic thoughts, impressions, and ideas that are the center of his narrative practice inspire the book's Form.

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Germany Cup in JJ-Allkampf

on 11/09/2010 Dirk and Enrico started in the Neukölln Germany Cup. The competition system does kicks and punches to the head only with light contact, but also to the body with full contact. At the bottom are also lever and choke holds.
will allow Fighting with gloves, gripping, and shin protection suit.

Dirk had improved since last time, especially in state and was able to secure second place.
Enrico kämpfte mit Übersicht und konnte das Turnier gewinnen.

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Hurry Hurry: Matthew Barney in the show camp until 3 October



opening times:
Tue, Wed, Thurs 12-19 Fri 12-18
Clock Clock
Sat, Sun 10-17 Clock

Schaulager
Ruchfeldstrasse
19 CH-4142 Stein Munich / Basel

Matthew Barney. Prayer Sheet With The Wound and the Nail - Schaulager, Basel

The exhibition shows works from the series "Drawing Restraint," the Matthew Barney (born in 1967 in San Francisco) continues since 1988. The documented performances of this series are here various Christian paintings of the 16th and 17 Century compared.

Under the title "Drawing Restraint" (something like: "is prevented from drawing") sums up Matthew Barney all those performances in which he under difficult conditions to make drawings attempted. On the basis of specially developed equipment with ramps, slopes, obstacles or elastic straps Barney sets himself on restrictions that impede his artistic work deliberately. He believes "the form can only take form when she fights against a resistance."

The presentation includes numerous documents these singular actions - including objects, drawings, photographs, display cases but also film and video. In addition to older performances, as well as two new works are presented that have been created in May 2010 in the shop warehouse.

Barneys performances in the exhibition are woodcuts and paintings by Martin Schongauer, Albrecht Dürer, Urs Graf, Hans Baldung
and other artists of the 16th and early 17 Century compared. By such a confrontation should latent meanings in Barney's work come to light: "They are aspects such as effort, overcoming resistance,
Rise and Fall, which is also in the imagery, the . Christian iconography developed its own tradition, "the curator

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exhibition: no territorial pissing Wanted




NO TERRITORIAL PISSING
honors the work of Willy Weber (1933-1998)

Opening: Friday, 17 September 2010, 18:00 : 00 clock
18.-09.26.2010

With works by Livio Baumgartner, Nino Baumgartner, Jonathan Etter, Sandro Fiechter, Karin Lehmann, Lorenzo Salafia, Scheidegger / Stähli, Niklaus Wenger
& Willy Weber

In demolition object in Bern Wankdorf
Stauffacher Strasse 79

exhibition opened in each case:
Sat-Sun 12-18 h
Wed-Fri 15-19 Sat-Sun 13-19 h
h (2 Weekends)
Or by appointment (079 636 82 48)

Directions: S-Bahn to
Wankdorf, flyover towards platform 5, the railway tracks along the direction of town, turn right to house number 77 to the area.

The exhibition "No territorial pissing" shows the work of nine young women artists and the work terms with Bern Willy Weber. (1933 - 1998) shot in 1960 by Willi Weber, the first brass plate. This work of art was the basis for the group of "exploded reliefs.
Willy Weber's "explosive sculptures" are often of a soft natural beauties. They live on reflections, organic shapes and a presence with the timeless the surfaces to light and motion plays. Willy Weber, asked by Meret Oppenheim and Bernhard Luginbuhl, teaching himself came into the world of art, defined in a time when the kinetic art was at its zenith. Compared to the works of a brutal Tinguely or striking plants around the group Zero, are the works of Willy Weber's quiet, poetic and often organic appearance. With the emergence of the works it was anything but ru hig access and poetic. Willy Weber created by dynamite, concave and convex landscapes in chrome steel, brass or Corte plates. This "naive" random work of Willy Weber read me make reference to my own work and I was interested in whether I experience this attitude in contemporary art. Considering this assumption, I asked to artists and put together a group of young artists, all seen in the possibility of the materiality and impact of the process, the importance of artistic creation. In order to force
the importance of the process and the works of William Weber to make the artist accessible, I plan to issue a "Workshop - Character". This means that the artist, two weeks before the opening to access the works and the room. Locally / should work can be implemented directly related to spatiality in the reference. In the room there are old industrial buildings that form a patchwork walls and nooks Konträr to the usual habit-th Ausstellungsräumen. An additional freedom makes the fact that is being demolished after the exhibition the building. This foundation aims to provide artists an experimental and unusual pre-condition for the exhibition. The conditions to the artist time and freedom to provide produce works, under other circumstances are not possible. My aim is to curate the exhibition and in the collective awareness of the artists on the action. After all, "with an activity raises also what we call ego." (Anselm Kiefer)
Like a distorted mirror image of a chrome steel reliefs by Willi Weber, the exhibition an insight to offer to work at present Bernese artists who are geographically bound variable in Bern, but by the attitude and the work is a being that I as "Bernese" refer moch-te, festhält. In addition to the exhibition a big Bernese artist, the timeless ideas and visions, used to honor and keep you from forgetting.

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semester opening party




beer, music and barbecue.

Tuesday, 21/09/2010 from 17 second clock
Gallery Floor, 125 Sihlquai
depression photography, ZHdK

All Students and faculty are invited!

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photographer wanted (to) which (r) students in collaboration with two children photos shoots of the course for clinical music therapy by playing some artistic. they are needed for the design of a prospectus (MAS project work). also for the graphic design of the brochure students take the two ideas to you. contact: Music-ch.wetter @ erleben.ch. christine weather

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Contract: Videonale 13

Call for Entries - Deadline: 20 September 2010

"A place for discoveries - That's what the German art magazine wrote about VIDEONALE, the international festival for contemporary video art. From 14 April to 29 May 2011 the 13th edition of VIDEONALE takes place at Kunstmuseum Bonn/Germany. You can submit single or – this year for the first time – multi channel works created in the past two years for VIDEONALE 13. The entry deadline is 20 September, 2010 (post mark).

Founded in 1984 the biannually initiated VIDEONALE is counted amongst the oldest festivals for video art in Germany and Europe. Besides its high standard of presented works, VIDEONALE reached a widely accepted reputation in its attempt to develop new forms of presentation for video art. Like in the past also at VIDEONALE 13 a team of architects and designers will develop a cutting-edge exhibition architecture to meet the requirements of the reception of media art.

For the 13th VIDEONALE about 40 works will be chosen by an international jury of experts and afterwards be presented in a six-week exhibition in Bonn. The show will open with a four-day festival featuring a variety of events. Starting in late summer the works of VIDEONALE 13 will be shown at further art institutions worldwide in the context of VIDEONALE ON TOUR. The works of VIDEONALE 12 were shown at the video art fair LOOP Barcelona/Spain, at the Museum of Modern Art in Glasgow/Scotland, at INVIDEO festival in Milan/Italy, at Bavarian House in Odessa/Ukraine, at several venues in Taipei/Taiwan and at the National Gallery of Bosnia-Herzegovina in Sarajevo/Bosnia-Herzegovina.

There's no set topic for submissions, but the submitted work mustn't be older than two years (ie starting January 2008). The exhibits will

automatically be taking part in the competition for the VIDEONALE AWARD Which Will be awarded by an international prize jury.

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book Calanca






zurückerobert by nature - Abandoned places in Calancatal

Abandoned places in an Alpine valley Luoghi abba donati in una valle alpina
photographs by Oliver Gemperle articles from Markus Rottmann and Oliver Gemperle With return of legends from the Calancatal German / Italian 168 pages 63 color illustrations 25 x 39 cm cloth-bound band with € 54, - (D) / 55.50 (A) / CHF 78, - ISBN 978-3-7165-1639-3

Today we are experiencing a unique in human history Rückgang bäuerlichen of life and the thermal spa cultures. The small farmers give up their court and move to the city. This current wave of migration has been neglected in Vorgängerin südbündnerischen Calancatal. For several hundred years from the valleys of the great Bevölkerungsteile Alpensüdseite in the heartbeat of centers have migrated. As a result of the collapse of the mountain economy is undergoing a fundamental landscape change: meadows and pastures are again überwachsen of forest disappear Alpine path, break-wirtschaftsgebäude country. Doch nur in wenigen Regionen ist dieser Vorgang auf so dramatische Weise sichtbar wie im Calancatal, wo die vorliegenden Fotografien von Oliver Gemperle entstanden sind. Neben dem dokumentarischen Wert dieser Aufnahmen steht für den Fotografen im Vordergrund, dass die Bilder die Vergänglichkeit und das an sich unsichtbare Wesen der Zeit visualisieren. Das fotografische Inventar der verlassenen Orte des Calancatals lotet dadurch gekonnt die Schnittstelle zwischen Dokumentar- und Kunstfotografie aus.

Oliver Gemperle, geb. 1972, Grafiker und Fotograf in Zürich. Mitbegründer einer Werbeagentur, die auf soziale und ökologische Anliegen spezialisiert ist. Nach einer Auszeit mit Bergtouren in Asien und in der Schweiz startete er Anfang 2008 his own agency, and began to realize artistic projects.

Markus Rottmann, born 1971, freelance copywriter in Zurich and best climber in the world. Agency career at advertising agencies in Basel and Zurich. Today he takes communication mandates from Switzerland and Germany.

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Exhibition: Taiyo Onorato & Nico Krebs - The great unreal



August 21 to September 25, 2010
THE GREAT UNREAL
Taiyo Onorato & Nico Krebs

What happens on a journey through a country Whose infinite production in media and art creates and celebrates its own myth? How can you escape from this maelstrom and discover new images behind the plywood facades?

The photo series „The Great Unreal“ by the Swiss artist duo Taiyo Onorato (born 1979 in Zurich) and Nico Krebs (born 1979 in Winterthur), deals precisely with these issues. After the two artists came in 2005 as fellows from the city of Zurich to New York, they have made several trips across the United States. Originated „on the road“ the photographs formulate the real and fictitious, documented and constructed, images and illusions as ideas that meet each other: We see a group of French fries that were assembled as a group of tourists on a cliff at the edge of the Grand Canyon. Street models made of cardboard are positioned in front of the horizon in relation to the camera, so that they look like real, endless highways. A row of old car tires falls down a hill, as would a galloping buffalo herd. In the tradition of Joel Sternfeld or Stephen Shore, Onorato & Krebs play with the images and myths that shape our view of the "American Way of Life". Without resorting to digital manipulation, they build their own unique worlds. And it is not unusual for the trail that leads to the final image to pass over the expansion of the flat pictorial space to the installation space. What remains is the certainty that each row of deserted terraced housing estates, each magnificent landscape panorama, every abandoned motel could ultimately be the perfect illusion – photography as a means to the sober documentation of reality is questioned self-referentially.

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Tate Britain - Eadweard Muybridge

Eadweard Muybridge

Tate Britain 8 September 2010 – 16 January 2011

Muybridge was the man who famously proved a horse can fly. Adapting the very latest technology to his ends, he proved his theory by getting a galloping horse to trigger the shutters of a bank of cameras. This experiment proved indisputably for the first time what no eye had previously seen – that a horse lifts all four hooves off the ground at one point in the action of running. Seeking a means of sharing his ground-breaking work, he invented the zoopraxiscope, a method of projecting animated versions of his photographs as short moving sequences, which anticipated subsequent developments in the history of cinema.

British-born Eadweard Muybridge, who emigrated to the United States in the 1850s, is one of the most influential photographers of all time. He pushed the limits of the camera's possibilities, creating world-famous images of animals and humans in motion. Just as impressive are his vast panoramas of American landscapes, such as the Yosemite valley, and his documentation of the rapidly growing nation, particularly in San Francisco. His dramatic life included extensive travels in North and Central America, a career as a successful lecturer, and the scandal of his trial for the murder of his wife's lover.

This exhibition brings together the full range of his art for the first time, and explores the ways in which Muybridge created and honed his remarkable images, which continue to resonate with artists today. Highlights include a seventeen foot panorama of San Francisco and recreations of the zoopraxiscope in action. His influence has forever changed our understanding and interpretation of the world, and can be found in many diverse fields, from Marcel Duchamp's painting Nude Descending a Staircase and countless works by Francis Bacon, to the blockbuster film The Matrix and Philip Glass's opera The Photographer.

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OUT NOW - Foam Magazine # 24/TALENT

This special Talent issue is the result of our call to young, talented photographers to send us their work.After an intensive process of looking, judging and sifting, fifteen out of more than a thousand portfolios remained. We agreed not only that they were the best, but that it would be possible to use them to create a powerful issue of the magazine.

View #24/TALENT online now

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Kodoji Press - Omoide Poroporo - Limited Edition Camera Austria




OMOIDE POROPORO
BY DAVID FAVROD
----------------------------------------------------
HANDMADE LIMITED EDITION OF 100 COPIES WITH A C-PRINT
21.5 X 27.5 CM, 50 PAGES, 53 COLOR AND B & W PLATES
JAPANESE BOOKBINDING WITH LOOSE LEAF METAL FASTENERS
KODOJI PRESS, Baden, 2010, FIRST EDITION, ISBN 978 –3– 03747– 019 – 0

Retail price EUR 23.– / USD 34.– / CHF 34.–
David Favrod’s work is shaped by the preoccupation with his dual identity. Born in Japan, Favrod grew up in Switzerland where he still lives.

In his first publication, Omoide Poroporo, Favrod creates a playful and poetic correspondence between these two cultures. “Omoide Poroporo” refers to a Japanese proverb, which describes the slow dispersion of memory. Favrod constructs a juxtaposition of flashbacks and fantasies and therefore intensifies the initial multi-cultural confusion. Besides his own photographs Favrod uses images from photo albums of his own family as well as various handicraft works, which evoke the art of Origami. With all these elements one would assume it is complexity that is central to these works however, it is much more the opposite, ‘simplicity’.

Another reference is Japanese photography with Masao Yamamoto as one crucial figure. His pure photography and treatment of themes such as silence and sensitivity strongly influence Favrod’s work. Likewise he is fascinated by the photographic experiments of Hiroshi Sugimoto as well as the way Japanese authors deal with subjects such as reality, fiction, and imagination. The Japanese binding and the contrary reading direction of Favrod’s Zen-like publication reveal yet another indication of his Japanese roots.

David Favrod (1982) was born in Kobe/Japan and lives in Vionnaz/Switzerland. He received his BA in Photography and is currently pursuing an MA at the École Cantonale d’Art in Lausanne. He was recently chosen for the exhibition project ReGeneration2 at the Musée de l’Élysée 201